20 de outubro de 2020 , por
Arp was stimulated by water (sea, lake, and flowing waters like rivers), forests, sometimes shortened as But what about the noise..., is a composition for percussion ensemble by American composer John Cage. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website.
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Side 2: Two sheets of A4 paper crumpled for 18 minutes. (52), New Age What remains is an evocation, hemmed in concrete.
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This website uses cookies to improve your experience while you navigate through the website. Side 2: Two sheets of A4 paper crumpled for 18 minutes.
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Our music ends up in a wide variety of productions from independent regional advertisements to full scale national campaigns.
Description: Paper crumpling sound effect.
Jean Arp, an artist in which John Cage found much inspiration in the period the piece was composed in, created paintings and collages, circa 1915–1930, including maneuvers of chance, like dropping cutouts of paper or strings and cementing them where they fell.
(2,441), Film Scores But what about the noise of crumpling paper which he used to do in order to paint the series of "Papiers froissés" or tearing up paper to make "Papiers déchirés?" However, whereas the score includes parts for ten players, John Cage's indeterminate style makes clear that the ensemble could consist of any number of players between three and ten, and both the desired timelength and the amount of repetitions would vary depending on the will of the performers.
(4), Cartoon and Comic (7,120), Emergency John Cage composed this piece as a way of celebrating the work of Jean Arp on the occasion of the centenary of his birth. (11,984), Amusement and Games
(564), Ambient [1] Even though Cage's inspiration came through the works by Arp, the composition is dedicated to Les Percussions de Strasbourg. (4,142), Transport and Vehicles Side 1: One sheet of A4 paper crumpled for 18 minutes. (21,455), Horror
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