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the mustang movie true story

20 de outubro de 2020 , por

There’s this rule you wouldn’t cast a newcomer or an unprofessional actress in parts which are very far from their temperament. A distracting drug smuggling plotline aside—a diversion from an otherwise intimate and focused film—“The Mustang” becomes an emotional powerhouse in its final act, complete with the National Anthem and an unforgettable, heartbreaker of a parting note. While Roman learns to mold and channel his energy towards a creature just as psychologically misplaced as he, he builds a kinship with the program regular Henry (Jason Mitchell, in a role that begs for more screen time) and continues to accept visits from his pregnant daughter Martha (Gideon Adlon of “Blockers”). It’s either love or (she makes sounds of hissing). All “I thought about the five girls as one character with five heads. That was something I wanted to say. To order copies of The West Wing Returns for an HBO Max Special, Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson, CIFF 2020: Black Perspectives Program Highlights Diverse Voices. See our, Read a limited number of articles each month, You consent to the use of cookies and tracking by us and third parties to provide you with personalized ads, Unlimited access to washingtonpost.com on any device, Unlimited access to all Washington Post apps, No on-site advertising or third-party ad tracking. This copy is for your personal non-commercial use only. Mustang could potentially generate empathy for people towards the girls. expressly prohibited without the prior written consent of Toronto to colleagues, clients or customers, or inquire about Director Deniz Gamze Ergüven faced challenges in casting the five young actresses — only one of whom had acting experience — to play spirited Turkish sisters suddenly facing curtailed freedoms and arranged marriages in Mustang, opening Friday in Toronto. A member of the New York Film Critics Circle (NYFCC), she regularly contributes to RogerEbert.com, Variety and Time Out New York, with bylines in Filmmaker Magazine, Film Journal International, Vulture, The Playlist and The Wrap, among other outlets. With Matthias Schoenaerts, Jason Mitchell, Bruce Dern, Gideon Adlon. In the grand tradition of horse movies, an untamed, especially wild stallion crosses paths with Roman when he is required to participate in the prison’s “outdoor maintenance” program. And the scene (where) Selma is taken to the hospital on her wedding night (for not bleeding), a gynecologist told me this happened not once, but 50, 60 times during a season of weddings. Some of the story is true . presentation-ready copies of Toronto Star content for distribution See our Privacy Policy and Third Party Partners to learn more about the use of data and your rights. By clicking “I agree” below, you consent to the use by us and our third-party partners of cookies and data gathered from your use of our platforms. Star Newspapers Limited and/or its licensors. A tender film about forgiveness and second chances, “The Mustang” is a testament to the worthy stories yet to be told about the healing, unbreakable bonds between tormented people and the misunderstood animals that come to their rescue. Jason Mitchell, Gideon Adlon, Connie Britton and Bruce Dern appear in supporting roles. The first trailer has been released for a new Robert Redford -produced film called The Mustang. One criticism I hear was it’s not like in real life. Just as Andrew Haigh did with his “Lean on Pete,” Clermont-Tonnerre brings an outsider’s curious and respectful eye into a marginalized part of Americana on the fringes, mining dashes of hope and kindness in unlikely scenarios. Meanwhile, the film never loses sight of the similarities between Roman and his beloved horse he proudly trains for the program’s final auction. The story of Roman Coleman, a violent convict, who is given the chance to participate in a rehabilitation therapy program involving the training of wild mustangs. It is one such optimistic initiative that Roman gets recruited for. Yes, films have a way of working on the audience without them even being completely conscious. With her cinematographer Ruben Impens, Clermont-Tonnerre captures the vastness of the grounds in the dusty, sun-dappled convention of Westerns. The film has been released in France and Belgium (Mustang opened in Turkey after this interview) so a lot of Turks have seen it and the reactions are not dispassionate. But Turks are very passionate. But will they be able to break and tame one another? Mustang is a 2015 internationally co-produced drama film directed by Turkish-French film director Deniz Gamze Ergüven in her feature debut. rights reserved. The rest are sometimes adopted, sometimes kept from sight in various long-term facilities or given to prison inmates to train and then sell at auctions through rehabilitation programs. If “The Mustang” was a through-and-through Western—and Clermont-Tonnerre’s film carries graceful, gentle traces of the genre throughout—Roman would still be an outlaw capable committing a crime in the blink of an eye. When you accuse a young girl of doing something disgusting . Superman doesn’t really fly.” In fact Roman, stupendously portrayed by Belgian actor Matthias Schoenaerts (“Far from the Madding Crowd”) in a quiet, expressive performance, doesn’t hesitate to declare that he isn’t good with people after years of confinement. With them, I could completely free myself from that. But this film is neither “Seabiscuit” nor “The Horse Whisperer”— Clermont-Tonnerre finds her inspiration and source material in present day, in more austere and forgotten corners of the country. And I say, “You’ve been to the movies before, we’ve all been to movies. The new European data protection law requires us to inform you of the following before you use our website: We use cookies and other technologies to customize your experience, perform analytics and deliver personalized advertising on our sites, apps and newsletters and across the Internet based on your interests. Directed by Laure de Clermont-Tonnerre. ... “You’ve been to the movies before, we’ve all been to movies. permissions/licensing, please go to: www.TorontoStarReprints.com. for example when the school director decides the boys and girls will go to the classroom by different stairs; that means there’s something sexual in every instant of life for a girl. Tomris Laffly is a freelance film writer and critic based in New York. This content is currently not available in your region. To order There was this other very important thing to me which is there’s a filter of sexuality for me behind (how) women are perceived in Turkey and societies close to Turkey. Newspapers Limited, One Yonge Street, 4th floor, Toronto, ON, M5E 1E6. Well, it doesn’t happen like this but the situation is real from the scene where the girls sit on the shoulders of the boys (in the opening beach scene) and they’re accused of having rubbed themselves against the boys. A man of few words in a rural Nevada prison, convict Roman Coleman is unable to keep his temper in check in Laure de Clermont-Tonnerre’s sober and humanistic character study “The Mustang.” It is that severe lack of anger management that got Roman incarcerated over a decade ago, with half of his sentence for a tragic case of domestic violence still remaining. He gets rehabilitation help from a prison therapist (Connie Britton) from time to time, and yet he remains a steadfast picture of tortured masculinity: broken, remorseful and even angrier because of the helplessness his solitude forges. By clicking “I agree” below, you consent to the use by us and our third-party partners of cookies and data gathered from your use of our platforms. The crowded group of co-writers does right by this storyline, introducing Martha’s past and relationship to her dad in a series of steadily maturing scenes, where both Schoenaerts and Adlon deliver some of the film’s strongest moments. So they had predisposition and after that we did some kind of a boot camp with an acting coach who gave them tools of acting so they were literally extremely prepared. Why she needed a sympathetic male character with the truck driver. And it starts early. . The Mustang is based on an actual rehabilitation program in Carson City, Nevada. As obvious as the answer to that question might be, Clermont-Tonnerre (along with her co-writers Mona Fastvold, Brock Norman Brock and collaborator Benjamin Charbit) feeds the duo’s steadily building trust and friendship into the story through patient increments. It’s true that (the truck driver) was important more in building a little bit of faith in men as well. A prisoner seeks rehabilitation by trying to break a wild horse in the inspirational film ‘The Mustang’ Matthias Schoenaerts plays a troubled felon in … That happened in our family. Named one of Variety’s 10 Directors to Watch for 2016, Ergüven spoke with the Star during TIFF last September, sharing insights into making her first feature film about female subjugation in a modern-day Turkish coastal village. Sometimes during the shooting of Mustang I would think we’re not so kind on men in this film and sometimes I think we should allow ourselves not necessarily to be covering all the variations of humanity.

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