20 de outubro de 2020 , por
They’re in a shed with Jonas where the walls are covered with chalk rectangles outlining the family trees. Our penultimate scene montage pieces together moments from past episodes. Pretty awesome for late ’80s Germany. Martha and Jonas teleport to the middle of the road and the car swerves out of the way, narrowly missing them. “It’s the only way to save you,” he says as he suffocates her with a pillow. One has been deceiving her her whole life, the other for an intensive few weeks, as though catching up with all the lying her “co-parent” has been banking over the years. Jonas and Martha must travel back to the moment Tannhaus’ suffering began in the origin world. We see Tannhaus in the bunker with his spider-like machine. They come just short of discovering her in the walls where Ma Costa has hidden her, but she’s so shaken afterward that she and Pan run off with Ma Costa trailing behind them.
The cave is gone and the passage is destroyed, but he can use the resources in the power plant to go back and save Martha and Mikkel. Meanwhile, Adam has moved each of his tokens into position, Eva says, and it’s time for them to do the same.
Regina asks everyone what they would wish for if the world were to end today. Helene takes the rock and kills Katharina with it, insisting she isn’t real. enters the boarded-up police station, a radio informs us scientists around the world have been trying to figure out what happened on June 27, 2020. Can the apocalypse still be stopped? Michaela Coel’s Onscreen Catharsis Is Helping Black People ... Ziwe Fumudoh Is Unflinching, Unabashed, & Just What America Needs. Things aren’t right here, Eva says. His and Eva’s actions have maintained the knot, and they keep creating themselves anew.
“Lying and betraying and cheating,” Pullman writes at one point in the series, “all came to [Lyra] as naturally as breathing.” One can’t help the talents one is born with, and, as we now know, she’s the daughter of a singularly iron-willed explorer and the most powerfully treacherous woman in the world; of course, the powers of persuasion and manipulation come naturally to our protagonist, regardless of how she uses those gifts.
She hugs Charlotte and gives her a surreptitious sniff — someone has clearly figured the affair out. We’re in Tannhaus’ shop, where his son, Marek, is arguing with him. • As much as I see Raymond’s point, I am a little disappointed that John Faa doesn’t rip into him the way he does in the book: “Now spell it out, Raymond, don’t be shy. Once Hannah leaves, Ulrich tells her to never come by again. C.H. She wakes up to see the 1888 Jonas, who is holding a letter addressed to himself. The trio of men enter the volume control room at the plant and start pressing knobs and twisting levers. It’s their future, adult Martha warns them, if they fail to stop the apocalypse. “Not here, just in his world,” Jonas clarifies. Adam, meanwhile, pulls a lever as Magnus and Franziska look on. We learn that for years, Claudia was searching both worlds for a way for Regina to live, but she can only survive in the origin world. Sonja exits the car with the baby, asking if everyone is okay. She wants shift schedules... from 1986. What if it applied to the world with a macrocosm? “Sic Mundus,” Adam says as he caresses one of the gold orbs. The episode opens with a horse-drawn carriage making its way through the woods in the rain.
Moments later, Tony arrives to confirm Benjamin’s demise, and the Gyptians learn that Lyra can read the alethiometer instinctively. The opening credits’ symmetrical images make total sense now: mirrored images across parallel universes.
Ulrich heads to Helge’s cell — he’s figured out Helge killed Mads and wants to know why the boy in the bunker looks just like Mads. The photo wall from the opening montage burns as the camera focuses on Martha Nielsen and Jonas Kahnwald. Eva picks up the gun and pulls the trigger herself, but nothing happens. It took Adam 66 years to figure out everything they know is bound together. Jonas is trying to look for his father, Michael Kahnwald, for answers, but the only person buried is a Daniel Kahnwald from 1964. He pulls it out of his own pocket as well. She notices a hickey on Katharina’s neck and starts slapping her. An infinity symbol. She pushes a wooden cross bearing Regina’s name into the ground as her voice-over asks, “Why do we die?” Everyone has one truth in common, she says: we are born and we die, no matter what path we take to get there. We’re shown a split screen of two Marthas. “And this is his little daughter in our care, and Raymond van Gerrit would hand her over to the authorities for a bit of peace and quiet. Adam stares at his gloves. It’s the same silver pendant, but Hannah’s reaction is lukewarm, as she isn’t feeling well. It’s time — during the apocalypse, time stood still for a fraction of a second, throwing everything out of balance. He thinks it’s time Martha understood too. She then shoots the other Claudia dead. Adam and Eva embrace. Mrs. Coulter has a pistol and shoots Benjamin as Tony escapes out the window. Apparently Bartosz is “one of the others,” she says, and “they” will save him. The inhabitant is wearing a ring with the Sic Mundus logo and has the blind man’s cane with the etched phrase. (As much as I love Ruth Wilson’s performance, the shifting of her savagery away from the monkey, who in the books is often the only indication of her evil intent, makes her feel less dangerous somehow?).
“My name is not Aleksander. (Yikes.)
So Asriel paid the Gyptians — Ma Costa, as it turns out — to hide Lyra, but Edward found out and tracked them down, intent upon killing the baby. Martha asks him if he remembers what he told her under the bridge. Martha and Jonas are having sex, cut with clips of bloody hands and Martha standing at the entrance of the cave. In 2019, a local boy's disappearance stokes fear in the residents of Winden, a small German town with a strange and tragic history. Jonas explains he saw Martha “in the light” as a child. Adult Martha delivers harsh news: Eva lied to Jonas. The narrative throughline for Dark Season 3 Episode 3 (“Adam and Eva”) is, basically, deception. Release year: 2017. Martha asks Jonas what time they’re in. Get ready to dust off the Winden family tree, it’s time to dive in. The same scene plays out in two different timelines. Noah, in his priest clothing, snaps the top part of the time machine in the blue-wallpapered bunker. She has no clue who he is. Back in the ruined study, older Claudia explains everything to adult Claudia. He begins discussing “old Tannhaus” and the paradise he believed he was creating. Eva knows this, Claudia reveals, and uses it to send her younger self in different directions, maintaining the cycle.
A young Ines and Claudia are in the woods flipping through a porn magazine, wondering why versions with men don’t exist. “You have chosen the correct side,” he tells her. In the meantime, she’s advised to stay out of sight, as the Gobblers and Mrs. Coulter will be on the hunt for her. Adam made him a promise: the apocalypse must happen. The contents are in a safe place, but only if Charlotte is destroyed. “There is a way where you can avoid becoming me.” He asks Jonas to trust him. The strange man stabs the horses and enters the carriage. “If you want to save your Martha, you have to choose the side of light,” she says. Martha looks at herself in the mirror, the pendant around her neck. Lyra’s time with the Gyptians doesn’t make a lot of sense on a character level, but it sure provides a lot of backstory. Katharina and Michael close the doors and they fade away. She explains what will happen: he will kill Eva, Martha will find her body, and it will turn Martha against Adam.
“The day we first met each other.” It’s the first day his world and her world formed a knot that is inextricably intertwined.
Can someone explain the karate to me? “I should have made you go away too,” she says. Jonas apologizes “for everything.” Martha wants to know what she was like in his world and the two finally kiss and sleep together. As a disheveled adult Katharina descends the stairs, the answering machine goes off with a cheery greeting from Ines and Michael Kahnwald. Tronte tells Jana a secret: he doesn’t know who the man at the cave is and he’s glad his mother is gone. She decides to name him Hanno, which means Silja and Bartosz are Noah’s parents. Tannhaus is in his workshop, building a machine. Old Helge surprises Ulrich from behind. A Martha covered in a black matter reaches her hand out. The world, unfortunately, has the same fate. She dropped in because the forensic results of the two pennies came in: they’re exactly identical, the same penny. She’s there so everything can end at last. I can only imagine what sort of skeletons the company has in its massive closet. Hannah arrives at the police station with brownies, looking for Ulrich. Back in the ‘80s, Charlotte is waiting at the bus stop as a boy gets off. Katharina vows they will bring Mikkel back with them. He's also a PhD candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory and Queer Gothic. She’s informed Child Protective Services know where Ines and Michael are. A young Helene says Mrs. Obendorf believes the “ones who are gotten rid of” go to hell. “They must die,” Eva says. And we never really existed?” (Mikkel and Martha’s breakfast conversation in episode 1 makes a. A true mind trip. Later, Bernd takes Claudia down to a hole in the earth, past a fence and a gate. They have nothing in common, Martha asserts. She promises Jonas she will make things right as the device buzzes and she ditches him in the cave. Well, if that ain’t a familiar phrase.
The apocalypse can’t be stopped. Adult Katharina in the ‘80s is ready to spring old Ulrich out of the hospital. The strange man pulls out a bracelet that belonged to Agnes Nielsen and places it in Tronte’s hand.
She insists she didn’t write the letter and asks Jonas what Sic Mundus is. It will open, Noah says, and then Jonas — Adam — will take them through the other side to paradise.
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