Under the nom de guerre No One Special, Link performs stunts and pranks which Frankie produces and edits, all of which are designed to sucker viewers into following/liking/upvoting/sharing, and then to berate them for doing so. On 1-1-1987 Gia Coppola (nickname: Gia) was born in Los Angeles, California, United States. Gia Coppola was born on January 1, 1987 in Los Angeles, California, USA as Giancarla Coppola. US director Gia Coppola arrives for the screening of the film “Mainstream” presented in the Orizzonti competition on the fourth day of the 77th Venice Film Festival.

118.7k Followers, 2,460 Following, 1,411 Posts - See Instagram photos and videos from GIA COPPOLA (@mastergia) Frankie and the very hyper Link (in a film with more bite, Garfield would be accused of chewing the scenery, and even here he gives it a good, committed suck) recruit Jake as a writer for their new project. (Photo by Joel C Ryan/Invision/AP), Connect with the definitive source for global and local news. His big No One Special YouTube Special is a choreographed dance routine in a theater. Nonetheless, when the art-eating rant video goes small-scale viral, Frankie tracks him down and together they hatch a plan to become internet famous as a means to expose the vacuity and vapidity of internet fame. Despite the eye-jangling visual aftereffects (Snapchat flower-crown filters, retro-hip 8-bit onscreen graphics and Frankie vomiting up emojis that tinkle into a bathroom sink like a Vegas jackpot), despite the contempo stylings of Devonté Hynes’ pleasantly downbeat eletropop score, even despite the handful of real-life online celebs like Mexican vlogger Juanpa Zurita and Instagram guru Casey Frey who appear, “Mainstream” feels heavily indebted to Elia Kazan’s 1957 TV-fame-cautionary tale “A Face in the Crowd,” right down to the souring relationship between Link and his regretful, shunted-aside svengali, Frankie. VENICE (AP) — Coronavirus lockdowns have kept most U.S. filmmakers and actors away from the Venice Film Festival, but Gia Coppola and Maya Hawke have brought a bit of today’s America to the Lido with “Mainstream,” a skewering look at YouTube and influencer culture. You can see the existential issues this raises already. Seven years after Gia Coppola turned a dreamily sympathetic eye on the pretty, youthful wasters of her high-school-set debut “Palo Alto,” she returns with “Mainstream,” packing a far smaller store of compassion and a lot less insight into the next micro-life-stage of telegenic wasted youth. The actress is currently single, her starsign is Capricorn and she is now 33 years of age. The two descendants of Hollywood royalty (Coppola is a grandchild of Francis Ford and Hawke is the first-born of Uma Thurman and Ethan Hawke) said they have been tested repeatedly for the virus since arriving, as required by festival organizers for participants from outside Europe. Born and raised in Los Angeles by her mother Jacqui Getty, Gia graduated from Bard College in 2009 with a … Coppola said she was inspired to make the film by “A Face in the Crowd,” the 1957 film starring Andy Griffith about a drifter who becomes a radio and television sensation. She made her 3 million dollar fortune with Strange Love, Blood Orange: You're Not Good Enough, Casino Moon. A few years ago, “Mainstream” might have felt spookily prescient, but now, particularly given recent revelations regarding election interference and the sinister altering of socio-political discourse, the idea that the worst damage social media can do is to exploit the insecurities of vulnerable individuals or heroize the ravings of the occasional mentally unstable loner, seems a little old-hat. One of these clips catches a guy dressed as a mouse in a mall forecourt accosting passersby in front of a Kandinsky print, and when he realizes she’s filming him, he starts to play it up for the camera, eventually preaching an anti-consumerist screed to a gathering crowd and leading them in a chant of “Eat The Art!”.

meet gia. Gia Coppola, Director: Palo Alto. “Mainstream” is essentially a redux and variation. The film explores the underbelly of influencer culture and the constant need to get attention from strangers on social media. Born and raised in Los Angeles by her mother Jacqui Getty, Gia graduated from Bard College in 2009 with a Bachelor of Fine Arts in Photography. The film stars Hawke as Frankie, a Los Angeles bartender whose YouTube video of a charismatic nobody, played by Andrew Garfield, becomes an internet sensation. A brittle, exasperated satire on social media celebrity, her sophomore film, like the tacky messiah it creates in Andrew Garfield’s YouTube sensation, soon becomes the very thing it sets out to expose: a glittery, jangly image machine that manufactures little of actual substance, except the conclusion that social media = bad. VENICE (AP) — Coronavirus lockdowns have kept most U.S. filmmakers and actors away from the Venice Film Festival, but Gia Coppola and Maya Hawke have brought a bit of today’s America to the Lido with “Mainstream,” a skewering look at YouTube and influencer culture. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. He quickly becomes successful enough to warrant an agent played by a very funny, scuzzball Jason Schwartzman. Looking for something to watch? “It feels like a moment where we’re like ‘OK, we can follow the rules and we can still celebrate art and filmmaking and protect each other, keep each other safe,’” Hawke said, adding that she appreciated in particular the discipline of festival-goers in adhering to Italy’s anti-virus precautions that include mask mandates and social distancing norms. One of the graphic affectations that (thankfully) disappears early on is a sprinkling of silent-movie-style intertitles, denoting Frankie’s state of mind. Representing five generations of the Coppola family in the film industry, Gia Coppola is not only an accomplished filmmaker, but she’s also a talented photographer. She is a director and actress, known for Palo Alto (2013), Mainstream (2020) and Somewhere (2010). But this retro-resonance brings its own issues: It’s hard to make out if Coppola’s point is how very different — and worse — the era of influencer monetization, unboxing videos and makeup tutorials is from any kind of celebrity that has happened before, or how much it is the same. One of them reads, whimsically, “Maybe Frankie is just an old-fashioned girl in a modern world.” The same could be wondered about “Mainstream,” an old film dressed in new clothes, that best evokes the fickle, ephemeral nature of internet stardom by flaring garishly bright for a moment, and almost immediately burning out. And even faster thereafter, Link morphs from affable if unstable young man larking about with friends to almighty obnoxious a—hole ruthlessly obsessed with climbing numbers, across the space of a single Day-Glo montage.

The mouseman is Link (Garfield), a scruffy curbside philosopher-prophet with a mysterious past and — astoundingly — no cellphone. In addition to the Horizons competition, 18 films are competing for the Golden Lion in the main selection. The festival, the first major in-person cinema showcase after COVID-19 locked down the film industry, wraps up on Sept. 12. Even his prank videos have, instead of the more modish TikTok-influenced self-made aesthetic, the look and feel of “Jackass” skits, an impression enhanced when Johnny Knoxville shows up for a brief cameo as a talk-show host. Gia Coppola was born on January 1, 1987 in Los Angeles, California, USA as Giancarla Coppola.

That’s not the only anachronism at work. In the U.S., “we’re still really struggling and having trouble working together. Actress Maya Hawke, left, and director Gia Coppola pose for photographers upon arrival at the premiere for the film 'Mainstream' during the 77th edition of the Venice Film Festival in Venice, Italy, Saturday, Sept. 5, 2020. During the day, Frankie slouches around L.A., absently filming little nihilist vignettes to upload to her undersubscribed YouTube channel. Maya Hawke makes a social-media monster of Andrew Garfield in Gia Coppola's thin but hyperactively stylized sophomore feature. Seven years after Gia Coppola turned a dreamily sympathetic eye on the pretty, youthful wasters of her high-school-set debut “Palo Alto,” she returns with “Mainstream,” pack… Link’s online shtick takes the form of a kitschy game show. “The morals for me are that all that glitters is not gold, and community and connection is really important,” Coppola said. From The Virgin Suicides to On the Rocks, IMDb dives into the cinematic stylings of Oscar-winning director Sofia Coppola. [wink emoji; thumbs up; eggplant], Maya Hawke (looking, in some of talented DP Autumn Durald Arkapaw’s more phantasmagorical lighting setups, uncannily like her mother, Uma Thurman) plays Frankie, a disaffected young bartender in a low-rent comedy club, where she works alongside aspiring writer and singer Jake (Nat Wolff, somewhat wasted in the muted role of pining best friend). In “Palo Alto,” Coppola felt contemporarily connected to her characters’ lives; here she feels just slightly out of step, and in the accelerated world of the Extremely Online, even yesterday’s meme might as well have happened to the dinosaurs.

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Under the nom de guerre No One Special, Link performs stunts and pranks which Frankie produces and edits, all of which are designed to sucker viewers into following/liking/upvoting/sharing, and then to berate them for doing so. On 1-1-1987 Gia Coppola (nickname: Gia) was born in Los Angeles, California, United States. Gia Coppola was born on January 1, 1987 in Los Angeles, California, USA as Giancarla Coppola. US director Gia Coppola arrives for the screening of the film “Mainstream” presented in the Orizzonti competition on the fourth day of the 77th Venice Film Festival.

118.7k Followers, 2,460 Following, 1,411 Posts - See Instagram photos and videos from GIA COPPOLA (@mastergia) Frankie and the very hyper Link (in a film with more bite, Garfield would be accused of chewing the scenery, and even here he gives it a good, committed suck) recruit Jake as a writer for their new project. (Photo by Joel C Ryan/Invision/AP), Connect with the definitive source for global and local news. His big No One Special YouTube Special is a choreographed dance routine in a theater. Nonetheless, when the art-eating rant video goes small-scale viral, Frankie tracks him down and together they hatch a plan to become internet famous as a means to expose the vacuity and vapidity of internet fame. Despite the eye-jangling visual aftereffects (Snapchat flower-crown filters, retro-hip 8-bit onscreen graphics and Frankie vomiting up emojis that tinkle into a bathroom sink like a Vegas jackpot), despite the contempo stylings of Devonté Hynes’ pleasantly downbeat eletropop score, even despite the handful of real-life online celebs like Mexican vlogger Juanpa Zurita and Instagram guru Casey Frey who appear, “Mainstream” feels heavily indebted to Elia Kazan’s 1957 TV-fame-cautionary tale “A Face in the Crowd,” right down to the souring relationship between Link and his regretful, shunted-aside svengali, Frankie. VENICE (AP) — Coronavirus lockdowns have kept most U.S. filmmakers and actors away from the Venice Film Festival, but Gia Coppola and Maya Hawke have brought a bit of today’s America to the Lido with “Mainstream,” a skewering look at YouTube and influencer culture. You can see the existential issues this raises already. Seven years after Gia Coppola turned a dreamily sympathetic eye on the pretty, youthful wasters of her high-school-set debut “Palo Alto,” she returns with “Mainstream,” packing a far smaller store of compassion and a lot less insight into the next micro-life-stage of telegenic wasted youth. The actress is currently single, her starsign is Capricorn and she is now 33 years of age. The two descendants of Hollywood royalty (Coppola is a grandchild of Francis Ford and Hawke is the first-born of Uma Thurman and Ethan Hawke) said they have been tested repeatedly for the virus since arriving, as required by festival organizers for participants from outside Europe. Born and raised in Los Angeles by her mother Jacqui Getty, Gia graduated from Bard College in 2009 with a … Coppola said she was inspired to make the film by “A Face in the Crowd,” the 1957 film starring Andy Griffith about a drifter who becomes a radio and television sensation. She made her 3 million dollar fortune with Strange Love, Blood Orange: You're Not Good Enough, Casino Moon. A few years ago, “Mainstream” might have felt spookily prescient, but now, particularly given recent revelations regarding election interference and the sinister altering of socio-political discourse, the idea that the worst damage social media can do is to exploit the insecurities of vulnerable individuals or heroize the ravings of the occasional mentally unstable loner, seems a little old-hat. One of these clips catches a guy dressed as a mouse in a mall forecourt accosting passersby in front of a Kandinsky print, and when he realizes she’s filming him, he starts to play it up for the camera, eventually preaching an anti-consumerist screed to a gathering crowd and leading them in a chant of “Eat The Art!”.

meet gia. Gia Coppola, Director: Palo Alto. “Mainstream” is essentially a redux and variation. The film explores the underbelly of influencer culture and the constant need to get attention from strangers on social media. Born and raised in Los Angeles by her mother Jacqui Getty, Gia graduated from Bard College in 2009 with a Bachelor of Fine Arts in Photography. The film stars Hawke as Frankie, a Los Angeles bartender whose YouTube video of a charismatic nobody, played by Andrew Garfield, becomes an internet sensation. A brittle, exasperated satire on social media celebrity, her sophomore film, like the tacky messiah it creates in Andrew Garfield’s YouTube sensation, soon becomes the very thing it sets out to expose: a glittery, jangly image machine that manufactures little of actual substance, except the conclusion that social media = bad. VENICE (AP) — Coronavirus lockdowns have kept most U.S. filmmakers and actors away from the Venice Film Festival, but Gia Coppola and Maya Hawke have brought a bit of today’s America to the Lido with “Mainstream,” a skewering look at YouTube and influencer culture. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. He quickly becomes successful enough to warrant an agent played by a very funny, scuzzball Jason Schwartzman. Looking for something to watch? “It feels like a moment where we’re like ‘OK, we can follow the rules and we can still celebrate art and filmmaking and protect each other, keep each other safe,’” Hawke said, adding that she appreciated in particular the discipline of festival-goers in adhering to Italy’s anti-virus precautions that include mask mandates and social distancing norms. One of the graphic affectations that (thankfully) disappears early on is a sprinkling of silent-movie-style intertitles, denoting Frankie’s state of mind. Representing five generations of the Coppola family in the film industry, Gia Coppola is not only an accomplished filmmaker, but she’s also a talented photographer. She is a director and actress, known for Palo Alto (2013), Mainstream (2020) and Somewhere (2010). But this retro-resonance brings its own issues: It’s hard to make out if Coppola’s point is how very different — and worse — the era of influencer monetization, unboxing videos and makeup tutorials is from any kind of celebrity that has happened before, or how much it is the same. One of them reads, whimsically, “Maybe Frankie is just an old-fashioned girl in a modern world.” The same could be wondered about “Mainstream,” an old film dressed in new clothes, that best evokes the fickle, ephemeral nature of internet stardom by flaring garishly bright for a moment, and almost immediately burning out. And even faster thereafter, Link morphs from affable if unstable young man larking about with friends to almighty obnoxious a—hole ruthlessly obsessed with climbing numbers, across the space of a single Day-Glo montage.

The mouseman is Link (Garfield), a scruffy curbside philosopher-prophet with a mysterious past and — astoundingly — no cellphone. In addition to the Horizons competition, 18 films are competing for the Golden Lion in the main selection. The festival, the first major in-person cinema showcase after COVID-19 locked down the film industry, wraps up on Sept. 12. Even his prank videos have, instead of the more modish TikTok-influenced self-made aesthetic, the look and feel of “Jackass” skits, an impression enhanced when Johnny Knoxville shows up for a brief cameo as a talk-show host. Gia Coppola was born on January 1, 1987 in Los Angeles, California, USA as Giancarla Coppola.

That’s not the only anachronism at work. In the U.S., “we’re still really struggling and having trouble working together. Actress Maya Hawke, left, and director Gia Coppola pose for photographers upon arrival at the premiere for the film 'Mainstream' during the 77th edition of the Venice Film Festival in Venice, Italy, Saturday, Sept. 5, 2020. During the day, Frankie slouches around L.A., absently filming little nihilist vignettes to upload to her undersubscribed YouTube channel. Maya Hawke makes a social-media monster of Andrew Garfield in Gia Coppola's thin but hyperactively stylized sophomore feature. Seven years after Gia Coppola turned a dreamily sympathetic eye on the pretty, youthful wasters of her high-school-set debut “Palo Alto,” she returns with “Mainstream,” pack… Link’s online shtick takes the form of a kitschy game show. “The morals for me are that all that glitters is not gold, and community and connection is really important,” Coppola said. From The Virgin Suicides to On the Rocks, IMDb dives into the cinematic stylings of Oscar-winning director Sofia Coppola. [wink emoji; thumbs up; eggplant], Maya Hawke (looking, in some of talented DP Autumn Durald Arkapaw’s more phantasmagorical lighting setups, uncannily like her mother, Uma Thurman) plays Frankie, a disaffected young bartender in a low-rent comedy club, where she works alongside aspiring writer and singer Jake (Nat Wolff, somewhat wasted in the muted role of pining best friend). In “Palo Alto,” Coppola felt contemporarily connected to her characters’ lives; here she feels just slightly out of step, and in the accelerated world of the Extremely Online, even yesterday’s meme might as well have happened to the dinosaurs.

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It becomes instead an attempt to plug 21st-century observations into a 1950s circuit board. Sure, it’s a platitude [shrug emoticon] but hey, it’s delivered with attitude. “It asks the question about whether or not it’s possible to make art while you’re still trying to get attention and look for likes,” said Hawke, currently getting her own attention for her role on the Netflix series “Stranger Things.” Hawke said her instinctive answer is no, but allows that Garfield’s final performance in which his persona unravels online certainly counts as art. And that’s what feels so good about being here: that everyone is working together really, really well and respecting each other,” she told The Associated Press on Saturday. To be fair to Coppola, she does lightly acknowledge this time-clash paradox. Read Next: Watch Borat and Daughter Visit Anti-Abortion Clinic in ‘Subsequent Moviefilm’ Clip (EXCLUSIVE), ‘Love and Monsters’ Review: Fun Times During the End Times, ‘After We Collided’ Review: You Know, Maybe ‘Twilight’ Wasn’t So Bad After All, ‘Yellow Cat’ Review: A Movie-Obsessed Ex-Con Brings Cinema to the ‘Badlands’ of Kazakhstan, Brian Wilson Disavows Trump’s Beach Boys Benefit in California (EXCLUSIVE), Beastie Boys License a Song for an Ad for First Time Ever, for Joe Biden Spot Focused on Live Music Shutdown, Jeffrey Toobin Suspended From New Yorker, Taking Leave From CNN After Allegedly Revealing Himself on Zoom Call, ‘Avengers’ Cast Assembles for Joe Biden Fundraiser, ‘The Vow’: What Happened to Keith Raniere, Allison Mack and Other Key Figures, Jeff Bridges Announces Lymphoma Diagnosis, Apple Launches 'Apple Music TV,' a 24-Hour Music Video Livestream, First Look at ‘John Wick,’ ‘Now You See Me’ Roller Coasters, Opening Next Year, ‘The Vow’: What the Finale’s Surprise Twist Means for Season 2, Watch The Trailer For Chadwick Boseman's Final Film 'Ma Rainey's Black Bottom', Chadwick Boseman Honored by ‘Ma Rainey’ Co-Star Viola Davis, Trump Calls Debate Moderator Kristen Welker a ‘Radical Left Democrat’, Jeremy Strong in Talks for Bradley Cooper's Leonard Bernstein Biopic for Netflix, ‘Beloved’ Author Toni Morrison’s Lower Manhattan Loft Comes to Market, Jimmy Fallon, Lin-Manuel Miranda Reunite for ‘Two Goats Who Will Vote’, Tiffany & Co. Is Opening a Blue Box Cafe in Orange County This December, Barkley, Curry, Manning and Mickelson’s ‘The Match 3’ Will Benefit HBCUs, 55+ Great Holiday Gifts for Mom that Will Put Her in the Christmas Spirit. Choose an adventure below and discover your next favorite movie or TV show. Variety and the Flying V logos are trademarks of Variety Media, LLC. She is a director and actress, known for, Songs for Screens: Dev Hynes on Creating His Classical-Inspired Score for HBO’s ‘We Are Who We Are’, ‘Nomadland’ Scoops Golden Lion At Venice Film Festival – Full List Of Winners, Venice Review: Gia Coppola’s Mainstream Unsettles in All the Wrong Ways, What to Watch if You Miss the "Game of Thrones" Cast.

Under the nom de guerre No One Special, Link performs stunts and pranks which Frankie produces and edits, all of which are designed to sucker viewers into following/liking/upvoting/sharing, and then to berate them for doing so. On 1-1-1987 Gia Coppola (nickname: Gia) was born in Los Angeles, California, United States. Gia Coppola was born on January 1, 1987 in Los Angeles, California, USA as Giancarla Coppola. US director Gia Coppola arrives for the screening of the film “Mainstream” presented in the Orizzonti competition on the fourth day of the 77th Venice Film Festival.

118.7k Followers, 2,460 Following, 1,411 Posts - See Instagram photos and videos from GIA COPPOLA (@mastergia) Frankie and the very hyper Link (in a film with more bite, Garfield would be accused of chewing the scenery, and even here he gives it a good, committed suck) recruit Jake as a writer for their new project. (Photo by Joel C Ryan/Invision/AP), Connect with the definitive source for global and local news. His big No One Special YouTube Special is a choreographed dance routine in a theater. Nonetheless, when the art-eating rant video goes small-scale viral, Frankie tracks him down and together they hatch a plan to become internet famous as a means to expose the vacuity and vapidity of internet fame. Despite the eye-jangling visual aftereffects (Snapchat flower-crown filters, retro-hip 8-bit onscreen graphics and Frankie vomiting up emojis that tinkle into a bathroom sink like a Vegas jackpot), despite the contempo stylings of Devonté Hynes’ pleasantly downbeat eletropop score, even despite the handful of real-life online celebs like Mexican vlogger Juanpa Zurita and Instagram guru Casey Frey who appear, “Mainstream” feels heavily indebted to Elia Kazan’s 1957 TV-fame-cautionary tale “A Face in the Crowd,” right down to the souring relationship between Link and his regretful, shunted-aside svengali, Frankie. VENICE (AP) — Coronavirus lockdowns have kept most U.S. filmmakers and actors away from the Venice Film Festival, but Gia Coppola and Maya Hawke have brought a bit of today’s America to the Lido with “Mainstream,” a skewering look at YouTube and influencer culture. You can see the existential issues this raises already. Seven years after Gia Coppola turned a dreamily sympathetic eye on the pretty, youthful wasters of her high-school-set debut “Palo Alto,” she returns with “Mainstream,” packing a far smaller store of compassion and a lot less insight into the next micro-life-stage of telegenic wasted youth. The actress is currently single, her starsign is Capricorn and she is now 33 years of age. The two descendants of Hollywood royalty (Coppola is a grandchild of Francis Ford and Hawke is the first-born of Uma Thurman and Ethan Hawke) said they have been tested repeatedly for the virus since arriving, as required by festival organizers for participants from outside Europe. Born and raised in Los Angeles by her mother Jacqui Getty, Gia graduated from Bard College in 2009 with a … Coppola said she was inspired to make the film by “A Face in the Crowd,” the 1957 film starring Andy Griffith about a drifter who becomes a radio and television sensation. She made her 3 million dollar fortune with Strange Love, Blood Orange: You're Not Good Enough, Casino Moon. A few years ago, “Mainstream” might have felt spookily prescient, but now, particularly given recent revelations regarding election interference and the sinister altering of socio-political discourse, the idea that the worst damage social media can do is to exploit the insecurities of vulnerable individuals or heroize the ravings of the occasional mentally unstable loner, seems a little old-hat. One of these clips catches a guy dressed as a mouse in a mall forecourt accosting passersby in front of a Kandinsky print, and when he realizes she’s filming him, he starts to play it up for the camera, eventually preaching an anti-consumerist screed to a gathering crowd and leading them in a chant of “Eat The Art!”.

meet gia. Gia Coppola, Director: Palo Alto. “Mainstream” is essentially a redux and variation. The film explores the underbelly of influencer culture and the constant need to get attention from strangers on social media. Born and raised in Los Angeles by her mother Jacqui Getty, Gia graduated from Bard College in 2009 with a Bachelor of Fine Arts in Photography. The film stars Hawke as Frankie, a Los Angeles bartender whose YouTube video of a charismatic nobody, played by Andrew Garfield, becomes an internet sensation. A brittle, exasperated satire on social media celebrity, her sophomore film, like the tacky messiah it creates in Andrew Garfield’s YouTube sensation, soon becomes the very thing it sets out to expose: a glittery, jangly image machine that manufactures little of actual substance, except the conclusion that social media = bad. VENICE (AP) — Coronavirus lockdowns have kept most U.S. filmmakers and actors away from the Venice Film Festival, but Gia Coppola and Maya Hawke have brought a bit of today’s America to the Lido with “Mainstream,” a skewering look at YouTube and influencer culture. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. He quickly becomes successful enough to warrant an agent played by a very funny, scuzzball Jason Schwartzman. Looking for something to watch? “It feels like a moment where we’re like ‘OK, we can follow the rules and we can still celebrate art and filmmaking and protect each other, keep each other safe,’” Hawke said, adding that she appreciated in particular the discipline of festival-goers in adhering to Italy’s anti-virus precautions that include mask mandates and social distancing norms. One of the graphic affectations that (thankfully) disappears early on is a sprinkling of silent-movie-style intertitles, denoting Frankie’s state of mind. Representing five generations of the Coppola family in the film industry, Gia Coppola is not only an accomplished filmmaker, but she’s also a talented photographer. She is a director and actress, known for Palo Alto (2013), Mainstream (2020) and Somewhere (2010). But this retro-resonance brings its own issues: It’s hard to make out if Coppola’s point is how very different — and worse — the era of influencer monetization, unboxing videos and makeup tutorials is from any kind of celebrity that has happened before, or how much it is the same. One of them reads, whimsically, “Maybe Frankie is just an old-fashioned girl in a modern world.” The same could be wondered about “Mainstream,” an old film dressed in new clothes, that best evokes the fickle, ephemeral nature of internet stardom by flaring garishly bright for a moment, and almost immediately burning out. And even faster thereafter, Link morphs from affable if unstable young man larking about with friends to almighty obnoxious a—hole ruthlessly obsessed with climbing numbers, across the space of a single Day-Glo montage.

The mouseman is Link (Garfield), a scruffy curbside philosopher-prophet with a mysterious past and — astoundingly — no cellphone. In addition to the Horizons competition, 18 films are competing for the Golden Lion in the main selection. The festival, the first major in-person cinema showcase after COVID-19 locked down the film industry, wraps up on Sept. 12. Even his prank videos have, instead of the more modish TikTok-influenced self-made aesthetic, the look and feel of “Jackass” skits, an impression enhanced when Johnny Knoxville shows up for a brief cameo as a talk-show host. Gia Coppola was born on January 1, 1987 in Los Angeles, California, USA as Giancarla Coppola.

That’s not the only anachronism at work. In the U.S., “we’re still really struggling and having trouble working together. Actress Maya Hawke, left, and director Gia Coppola pose for photographers upon arrival at the premiere for the film 'Mainstream' during the 77th edition of the Venice Film Festival in Venice, Italy, Saturday, Sept. 5, 2020. During the day, Frankie slouches around L.A., absently filming little nihilist vignettes to upload to her undersubscribed YouTube channel. Maya Hawke makes a social-media monster of Andrew Garfield in Gia Coppola's thin but hyperactively stylized sophomore feature. Seven years after Gia Coppola turned a dreamily sympathetic eye on the pretty, youthful wasters of her high-school-set debut “Palo Alto,” she returns with “Mainstream,” pack… Link’s online shtick takes the form of a kitschy game show. “The morals for me are that all that glitters is not gold, and community and connection is really important,” Coppola said. From The Virgin Suicides to On the Rocks, IMDb dives into the cinematic stylings of Oscar-winning director Sofia Coppola. [wink emoji; thumbs up; eggplant], Maya Hawke (looking, in some of talented DP Autumn Durald Arkapaw’s more phantasmagorical lighting setups, uncannily like her mother, Uma Thurman) plays Frankie, a disaffected young bartender in a low-rent comedy club, where she works alongside aspiring writer and singer Jake (Nat Wolff, somewhat wasted in the muted role of pining best friend). In “Palo Alto,” Coppola felt contemporarily connected to her characters’ lives; here she feels just slightly out of step, and in the accelerated world of the Extremely Online, even yesterday’s meme might as well have happened to the dinosaurs.

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